Thursday, May 29, 2014

This Is Not "How Taxes Work"


Anyone who has surfed the Web and has an interest in politics or tax policy has surely come across an essay entitled "How Taxes Work."  The essay, which was collected by Snopes.com via e-mail in 2002, is a parable which purports to offer a "VERY simple way to understand the tax laws."   A copy of the essay, and a discussion of its provenance, may be viewed here.

The parable is easily recognizable as right-wing propaganda, designed to demonstrate that the U.S. tax system transfers wealth from the rich to the poor, and that if the poor want to continue to benefit from the generosity of the rich, well, they had better start being a little more appreciative. 

The parable is a transparently poor model of the U.S. tax system, but I found it devilishly difficult to explain why.  Furthermore, I was unable to find a satisfactory rebuttal to the essay online.  I have therefore taken it upon myself to offer my own critique of the "How Taxes Work" parable.  My qualification for doing so is 25+ years as a tax lawyer.

For those without access to the original essay, here is a summary: every day, ten men go out to dinner.  The total bill for dinner is always $100, and the bill is always split the same way.  The first four men (the "poorest") pay nothing, the fifth pays $1, the sixth pays $3, the seventh pays $7, the eighth pays $12, the ninth pays $18, and the tenth (the "richest") pays $59.  No other information is given about the men or why they have adopted this strange practice.

One day the owner of the restaurant decides to reduce the overall cost of the group meal from $100 to $80.   The $20 reduction in the price of the dinner must therefore be distributed among the ten diners.  The group decides collectively that they want to pay their bill "the way we pay our taxes." The first four men continue to pay nothing.  The men first propose to divide up the $20 windfall equally among the remaining six people ($3.33 each), but that doesn’t work because then the fifth and sixth men would be paid to eat their meal.

The restaurant owner suggests the following "fair" settlement: the fifth man pays nothing, the sixth man pays $2, the seventh man pays $5, the eighth pays $9, the ninth pays $12, and the tenth pays $52.  Thus each of the six most well-off diners have benefited, and the four poorest continue to pay nothing.

You don't have to be Ayn Rand to see where this is headed.  After leaving the restaurant, the nine men start to grumble that they each saved less than the tenth man, whose share of the bill was reduced by $7.  In a remarkable display of ingratitude, the first four men, who never paid anything, complain that they didn't "get" anything at all.  "The system exploits the poor," they shout!  The first nine men then beat up the tenth man, who staggers off, never to return (in other words, he "goes Galt"). 

When the nine men show up the next day for dinner, they find that they are $52 short of being able to pay for dinner ("Imagine that!").  (Actually the shortfall should only be $44, not $52, since there are only nine men dining rather than ten, but whatever.)

The last two paragraphs are worth quoting in their entirety:

And that, boys and girls, journalists and college instructors, is how the tax system works.  The people who pay the highest taxes get the most benefit from a tax reduction.  Tax them too much, attack them for being wealthy, and they just may not show up at the table anymore.

Where would that leave the rest?  Unfortunately, most taxing authorities anywhere cannot seem to grasp this rather straightforward logic!

We do not know who these men are, what they each had for dinner or what their relationship is to each other.  We do not know how much money they earn, or how they got their money.  However, in order to assess the parable on its own terms as a viable model for "how taxes work," we must make the following assumptions:
 
  • The restaurant represents the U.S. federal, state and local governments
  • The men represent the adult populace of the United States
  • The meal represents the sum total of the goods and services provided by government to the populace
  • The amount paid for the meal represents taxes paid to the government.  These taxes would include federal and state income taxes (both corporate and personal), federal estate taxes, Social Security taxes, Medicare taxes, state and local sales taxes, and a variety of miscellaneous other taxes imposed at all levels of government such as excise taxes, customs duties, etc.

The parable certainly does provide food for thought, but that is not the same thing as saying that it accurately describes "how taxes work." It does not. However, the fundamental flaw in the parable is not that it fails to accurately describe how taxes work, but that the parable offers a skewed vision of what government is and does, and what constitutes a modern civil society.

The first, quite fundamental flaw in the parable as a model for "how taxes work" is that the payment arrangement described in the parable not only does not meet the definition of a "tax," it is the very definition of something that is not a tax.  A "tax" by definition does not involve a receipt of specific goods and services in exchange for the tax (i.e., a quid pro quo).  A payment for which goods or services are expressly exchanged is not a tax, it is a fee.  For example, if a municipality requires payment for garbage collection, the payment is a fee, not a tax.  Those who choose not to take advantage of the garbage collection services need not pay the fee, while those who do pay the fee have the right to insist that their garbage be collected. 

The parable is written so as to imply that the diners receive the meal as a quid pro quo for their payment.  This means not only that those who pay their share of the bill are entitled to be fed, but that any diner may choose to opt out of the system, as the tenth man eventually does.  This of course is not how taxes work in real life.  People are required to pay taxes regardless of whether and to what extent the taxpayer receives goods or services from the government of equal or greater value and, with a limited exception for expatriates, taxpayers may not "opt out".

The lack of a quid pro quo is a necessary element in the definition of a tax.  Unlike the meals in the parable, most if not all of the services provided by government cannot be individually doled out to those who pay taxes and withheld from those who cannot.  An obvious example is defense spending – the benefits of the U.S. military must of necessity be enjoyed collectively by everyone regardless of how much they pay in taxes.  Even in the case of government services which can arguably be allocated to specific individuals, such as police, fire and garbage collection, the populace in general has a common interest in providing such services to everyone regardless of how much they pay in taxes.  To quote Oliver Wendell Holmes Jr., "Taxes are the price we pay for a civilized society."

The second fatal flaw in "How Taxes Work" is that the parable implies that there is a connection between what the government spends its money on, and how the government is funded.  Put another way, the parable assumes that whoever pays the piper calls the tune. In order to understand this point, one must first understand that, as a matter of both economics and politics, spending money is exactly equivalent to reducing taxes (thus the term "tax expenditure").  That is, a decision by the government to reduce taxes to a class of taxpayers is exactly equivalent to writing them a check. 

Once it is acknowledged that money not collected is exactly equivalent to money spent, it becomes clear that, in a representative democracy, deciding how government is funded must be independent from deciding how government spends its money (which includes the decision of how government doles out tax benefits).   Both decisions are made by representatives who are elected by the people, each of whom (to simplify slightly) is entitled to one vote regardless of the individual's income or assets. 

A government in which decisions on how to spend money are made by the people that have the money is not a democracy, it is a plutocracy.  Examples of plutocracies would include the Roman Republic, certain city-states of Ancient Greece, the civilization of Carthage, the Italian city-states/merchant republics of Venice, Florence and Genoa, and the pre-World War II empire of Japanese zaibatsus.  It would not include the United States of America at the present time.  It is not clear whether the parable is proposing to ban representative democracy in the United States.

When viewed correctly in this light, the apparent injustice visited upon the tenth man (leaving aside the violent reaction of the first nine men) no longer seems quite so unjust.  If the restaurant and its ten patrons were really an accurate and honest depiction of society, the ten men would, upon leaving the restaurant, have to tend to their other needs which the restaurant is apparently not meeting.  They would have to feed and clothe their families, educate their children, find a place to live, etc.  Suppose that the nine men, outside of the restaurant, were living hand to mouth, barely feeding their families, in serious danger of starvation or fatal exposure to the elements, while the tenth man was living comfortably.  Suppose further that the restaurant found itself with an extra twenty dollars (the same twenty dollars which it doled out to the diners in the form of a "tax reduction"), and decided to give that twenty dollars to the tenth man.  I suspect that even most honest conservatives would be uncomfortable with that decision (or am I giving too much credit to the average modern conservative?).

The parable also inaccurately depicts the way our tax system works because it presumes that each taxpayer derives an equal benefit from the goods and services provided by the government.  However, because there is no linkage between how a government spends its money and how it is funded, taxpayers do not derive an equal benefit from the government.  (If they did, taxpayers would only pay taxes in an amount exactly commensurate with the benefits they received.)  The most obvious example is that wealthy individuals with substantial assets benefit from police protection far more than a poor person with no assets. 

Thus, in the parable it is presumed that everyone is having the same meal.  If the tenth man were dining on lobster and champagne, while the nine poorest were subsisting on rice and beans, the tenth man would look far less sympathetic. 

Even if we accepted that the cost of the meal was a "tax," and that the diners are entitled to receive identical meals in exchange for their tax payments, the parable is carefully constructed so as to emphasize the injustice to the tenth man.  This is because the parable leaves out any discussion of the relative income or assets of the ten men.  Therefore, we cannot assess the relative burden borne by the ten men.   After the adjustment, the tenth man is paying approximately 26 times what the sixth man is paying.  But if the tenth man's income were 200 times that of the sixth man, the tenth man would actually be suffering under a much lower tax rate than that borne by the sixth man.

In short, despite its claim to illustrate "how taxes work," the parable is a grossly inadequate model for the tax system currently in place in the United States.  The parable misrepresents the nature of tax payments, and the nature of what government provides in return, solely to make a political point.

However, what is both fascinating and disturbing about the parable is not its phony claim to accurately describe how taxes work, but the window that it provides into how the modern conservative views society as a whole and government in particular.  In the right wing view, government is a mere vendor of goods and services, which naturally implies that those who pay more should get more.  To the modern conservative, the government is not of, by or for the people, but an independent entity that does not reflect at all the will of the populace.  Government services are made possible only by the generosity of the rich to the hapless poor, who have nothing to offer and no role in civil society. 

The modern conservative is cut off both from his government and from his fellow citizens. The rich man in the parable generously funds dinner for the other nine, and gets nothing in return. In actual society, the tenth man would be counting on the first nine to serve his food, tend his garden, clean his house, and take care of his children.  They would be his neighbors, his work colleagues, and sometimes they might even be marrying his daughter.  In the parable, none of the men derives any benefit from the fact that his colleagues are being fed. In real life, every person benefits from the well-being of his fellow citizens.

Finally, in the mind of the modern conservative, the first reaction of the underclass to perceived injustice is to resort to violence. This last telling detail makes it quite clear that the purpose of this parable is not to illustrate how taxes work, but to demonstrate why the poor should be grateful for what few scraps the rich choose to leave for them. 

What I've learned from listening to (almost) everything Bob Dylan ever recorded.

I am listening to all my CDs in alphabetical order, and I am just about to finish up Bob Dylan. I listened to all the original studio albums through New Morning and most of what came thereafter, including the recently reissued Another Self-Portrait. I missed some albums from the later years since I couldn't bring myself to shell out bucks for them, and by that time I was getting tired of listening to Dylan.

Here is what I learned:

1. Dylan's first album might just be his best. Although it is largely covers and the originals are not nearly as good as his later originals, it displays an energy and talent that is completely overwhelming. Dylan would never achieve this fresh-faced sound of blues and folk for as long as he lives.

2. His follow-ups until Bringing It All Back Home are the sound of a man groping for a way forward from where he had been to where he wanted to go. Although the songs and recordings are great, certainly as great as most artists would hope to produce in a lifetime, they are clearly inferior to what is to come.

3. The trio of Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde, plus The Basement Tapes is the finest body of recorded musical work of the 20th century in any genre.

4. The songs on The Basement Tapes are the best he ever wrote.

5. I still don't love John Wesley Harding.

6. With the exception of Desire and Blood on the Tracks, everything Dylan recorded after John Wesley Harding is thoroughly mediocre. The later records feature some of the laziest songwriting by a major history in the history of popular music.

7. After listening to all the Bootleg Series, I've concluded that Dylan is now positioning himself commercially as the Aging Bluesman. I find this despicable, especially since he obviously despises the folk scene which he is now desperate to be considered to be a part of.

8. Every live Dylan concert after Pat Garrett and Billy the Kid closes with Knockin' on Heaven's Door.

9. Dylan is a narcissistic, calculating, mercenary jerk, but he is the most brilliant jerk in the history of popular recorded music.


Friday, May 23, 2014

Tonight's activity

Going to see The The Band Band at Towne Crier, first time at the new location. It's an absolute downpour outside. Hope I don't float away.

Is Faith Stupidity?

So I was chatting recently with a colleague, nice guy. And I was telling him about a conversation with my rabbi at Torah study and how one of the attendees asked how it would affect our belief system if we knew that the events described in Exodus never really happened. And the rabbi said, actually, we do know that those events did not happen.

I could tell that I was losing my colleague, and I said "You think it happened, don't you?" And he said yes, that's faith.

And I thought actually, that's not faith. Faith is when you believe something that cannot be proven true or false. The belief in something that is demonstrably false is not faith, it's stupidity.

What's Playing in my Car?

Bob Mould - Silver Age
Books - Thought for Food
Calexico - Algiers
Dirty Projectors - Swing Lo Magellan
Divine Fits - A Thing Called Divine Fits
Jesus Lizard - Goat and Liar
Passion Pit - Gossamer
Redd Kross - Researching the Blues
Swans - The Seer
Animal Collective - Centipede Hz

Thursday, May 22, 2014

Disney ad

I just saw a Disney ad this morning. The slogan was "Let the Memories Begin". When you think about it, isn't that a little sick? The purpose of going to Disney is to generate memories for after you've left?

Wednesday, May 21, 2014

The best protest songs of the Bush administration


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The eight evil years of the Bush administration should have been a rich source of inspiration for socially conscious songwriters.

In fact, popular music during the Bush administration has had little or no effect on popular opinion, and if it has it has all been in the opposite direction, with patriotic dreck produced by the likes of Lee Greenwood and Toby Keith .

I believe that this is because Bob Dylan ruined protest music for everyone else. Few talented performers are willing to step out from Dylan's shadow and attempt a protest song in the folk tradition. No one will ever write an anti-war song as powerful as "Masters of War," or a civil rights song as devastating as "Only a Pawn in Their Game" or "The Lonesome Death of Hattie Carroll," so why bother?

With one exception, all of the songs below are either by older artists, or by younger artists doing versions of older songs. The Great Man himself, of course, spent the Bush years pursuing joint ventures with wine and lingerie companies and positioning himself as a romantic crooner.

If you send me an e-mail telling me that I omitted the Dixie Chicks' "Not Ready to Make Nice," please send me your address, so I can come to your house and beat you to death with a copy of Ten of Swords.
1. Tom Waits – “Day After Tomorrow”
Waits fights Dylan to a draw in this folk song which imagines a soldier hoping to make it back to his home and family alive.

2. Eminem – “Mosh”
This powerful song is a J'Accuse for Bush, aided by an extremely effective video. Released shortly before the 2004 election, it gave strength to many who hoped it would make a difference in the election. However, it was released too late to have an effect, and in the age of MTV most of the people who mattered didn't see or hear it anyway.

3. Richard Shindell – “Big Muddy”
This cover of the '60s era Pete Seeger song is even more devastating than the rather jaunty original. The character of the foolish platoon leader who leads his soldiers into catastrophe is even more fitting now than it was 40 years ago.

4. Drive-By Truckers – “That Man I Shot”
A soldier returns from war haunted by the face of the enemy soldier he killed in this harrowing exploration of the moral and emotional implications of war The soldier clutches his children to him in the hope that the memory will vanish, only to find himself wondering whether the dead soldier had children of his own.
5. Randy Newman – “A Few Words in Defense of Our Country”
Despite years of writing Disney soundtracks, Newman can still dish the razor-sharp satire. Here he laments the decline in America's influence and moral standing while comparing Bush favorably to history's greatest tyrants such as Torquemada, Hitler and Stalin. You know Bush is in for a major ass-whupping when Newman sings "Let's turn history's pages, shall we?" I particularly enjoyed reading the comments from the nitwits on iTunes who bought the song expecting a heartwarming toe-tapper a la "You've Got a Friend in Me."

6. Eddie Vedder – “Here’s to the State"

This live update of Phil Ochs' "Here's to the State of Mississippi," can be found as a bonus track on the soundtrack to Into the Wild. Vedder updates the broadside attack on Southern bigotry by the underappreciated Ochs with a no-holds-barred attack on the major figures of the Bush administration. Vedder's raw and impassioned delivery is made even more poignant by his preface to the performance, in which he looks forward to a day when the song does not need to be updated with each generation.
7. Richard Thompson – “Dad’s Gonna Kill Me”

Richard's imagining of a solder trying to survive his tenure in Iraq takes an approach different from Waits. Instead of emphasizing the pathos, Richard turns up the fear factor as a soldier worries about getting blown up.

8. Cursive – “Flag and Family”
Punk band Cursive explores the red state - blue state divide.
9. Steve Earle – “The Revolution Starts Now”
Earle coulda been a contender to carry the flag of protest that was dropped by Dylan. He has the talent but I'm not sure he has the fortitude. This is an effective rallying cry, but it's not angry enough.
10. Neil Young – “Lookin’ for a Leader”

Major points to Neil for laying it all on the line. This is a very satisfying blast of criticism. However, the essay-like lyrics lack the power of "four dead in
Ohio."

I'm back

I need an outlet and no one listens to me. Fortunately no one will read this either and so I don't have to worry about what I say and I don't need to write carefully. There will be no research and no links.